





Read the entire article that appeared in May 2009 Architectural Digest.
Thanks for stopping by the cottage to view some amazing jewelry. ♥Rosemary






I thought this photo called "Prayer Meeting" was very fitting for a Sunday. It's by an unknown photographer.
I stumbled upon this wonderful article in The New York Times about a very talented self-taught carpenter who builds low-income housing in Texas using trash, found objects, salvaged items, recycled building materials and does a beautiful job. Left-over roofing shingles in many colors are artfully arranged on this home. Click on the photo to see all of the photos in the slideshow.
Kristie Stevens rents one of Mr. Phillips's houses. She is working with him on building a house of her own nearby, since Mr. Phillips requires the eventual owner of a house to help with its construction.
Mr. Phillips's houses use scrap wood for siding. City officials worked closely with him to set up a recycled building materials warehouse where builders, demolition crews and building product manufacturers can drop off items rather than throw them in a dumpster headed for the landfill.
A wood-burning stove from an old ship found a new home in Mr. Phillips's "tree house."
A chair's back is fashioned out of cattle bones. Read the full article. Source: Photos + text: New York Times.
To be continued. I'm really going to miss this book by H. Jackson Brown, Jr.
Don't you absolutely love this greenhouse with the bookpress and old books? If I were to learn a new trade, it would definitely be bookbinding.
Swoon. Nothing grabs my attention like lots of open shelves. I am not a closet person. I like to be able to see what I own.
So simple and elegant. I'm mad about this built-in chest with the bookshelves above. What a nice thing to look at when you first wake up.
Such a clever use of space. This would drive the building inspector wild in my town. No railing. He would probably start foaming at the mouth if he had to inspect this job. I can see the orange "failed sticker" on that nice white wall.
Ha Ha. I can so relate to this. Most of my friends are younger. People my own age seem so old.
This cat appears to be very interested in something on this page. I'm guessing it's about mice. It's about time for them to start trying to get in my house. Oh, how I dread dealing with them.Details about the exhibit with 130 paintings by the iconic O'Keeffe at New York City's Whitney Museum of American Art.
Thanks for stopping by the cottage today. I'm running a little late in getting my daily blog post up and running. Enjoy. ♥Rosemary
“It’s like a modern yacht—we had to think of how to get the maximum amount of space out of a minimum amount of floor area,” architect Robert A. M. Stern says of the three-story beach cottage he designed for Robert and Lisa Nesbitt in Seaside, Florida. The architect had to adhere to the community’s strict design requirements, which limit height, roof slope and materials.
On The Florida Coast, a Singular Structure Engages with its Site and Redefines the Beach. Architecture and Interior Design by Robert A. M. Stern Architects. Text by Gerald Clarke/Photography by Peter Aaron/Esto. Published April 2008 Read complete Architectural Digest article here: Making a Splash in Seaside
The kitchen’s pocket doors open to views of the town. Ann Sacks backsplash tiles. Urban Archaeology ceiling light. Conrad Roman shades. Wolf range.
The guest room off the entrance hall. Vaughan lamp. Stone-and-marble floor from Walker Zanger.
One of the children’s bedrooms has a whimsical built-in sleeping nook fit for a princess. Bedcovering, pillow and drapery print from Manuel Canovas. Brunschwig & Fils ticking. I published this photo on an earlier blog post and am so pleased that I found the original source.
The master bedroom opens onto a porch shown below. Bergamo chair and ottoman fabric. Sutherland bar table, with Giati chairs.
To support the porch roof, Stern conceived a dramatic single column. “The house is visible from the beach, and we wanted a gesture to make it stand out,” says Brewer. Sutherland furniture.
The south façade. Says Stern, “The house shows that the classical language of architecture can be as lively and fresh as any other.”